Upcoming Exhibition:
This Is (Not) a Celebration: Queer Resistance 1976/2026
Artwork by Scarlett DeLorme, Justin Jain, & Amy Cousins with materials from the John J. Wilcox, Jr. Archives
Curated by Jake Foster, Exhibitions Manager, William Way LGBT Community Center
June 11 - July 3, 2026
Huddle, 338 Brown Street, Philadelphia, PA 19123
Opening Reception: Thursday, June 11, 6-9PM
Artist Talk: Thursday, June 25, 6:30-8:30PM
Gallery Hours: Fridays and Saturdays, 12-6PM (closed Juneteenth & July 4th)
This Is (Not) a Celebration: Queer Resistance, 1976/2026 reveals the history of Philadelphia’s LGBTQ+ organizing, activism, and protest during the Bicentennial through rarely seen archival materials and the work of three local artists; Scarlett DeLorme, Justin Jain, and Amy Cousins, whose work engages with these stories through a contemporary lens.
Within the civic reflection of the 250th of the United States, This Is (Not) a Celebration shifts the focus from commemoration to resistance. Organized by the William Way LGBT Community Center, artists were invited to create work in dialogue with materials from the Center’s John J. Wilcox, Jr. Archives—the most extensive collection documenting the history of Philadelphia’s LGBTQ community. Scarlett DeLorme's wet plate photography, Justin Jain's ceramics, and Amy Cousins’ print and fiber installations insist that 1976 was not a moment of patriotic consensus, but one of queer defiance.
Scarlett DeLorme, a wet-plate collodion photographer working at the intersection of disability and queerness, uses Victorian-era photographic processes to create contemporary portraits of Philadelphia-based LGBTQ+ activists and organizers. By placing emerging leaders alongside those who began their activism in 1976, DeLorme visually traces lines of continuity across generations, asserting that queer resistance is both inherited and evolving. Scarlett DeLorme’s work will also be featured in a virtual exhibition by the Dina Wind Art Foundation.
Justin Jain, a queer first-generation Filipino performance and visual artist, honors LGBTQ+ ancestors and activists of 1976 through altered wheel-thrown vessels and hand-built ceramic sculptures. Reworking patriotic symbolism into cultural dialogue, Jain unsettles dominant national narratives while honoring both the queer radical past and its living present.
Amy Cousins is an artist and educator from Houston living in Philadelphia who works across media, including printmaking, fabric, and sculpture to investigate queerness and its relationship to history, futurity, and desire. Her work particularly draws from radical queer archives and the playfulness historically wielded by these communities to combat oppression.
The work of these three artists are presented in active dialogue with archival materials, including the “Lesbian Feminist Declaration of 1976” by the Philadelphia lesbian feminist organization Dyketactics!, published in Hera, a local feminist newspaper; photographs and ephemera from the July 4, 1976 counter-Bicentennial demonstrations; and contemporaneous coverage in publications such as the Philadelphia Gay News, founded earlier that year. The year 1976 also marked the founding of the Gay Community Center of Philadelphia, now the William Way LGBT Community Center, which is currently celebrating its 50th anniversary in 2026.
As the United States marks 250 years, This Is (Not) a Celebration reframes the anniversary as a moment of protest, solidarity, and survival—asserting that queer resistance is not peripheral to American history, but foundational to it, and ongoing.
The exhibition is part of Radical Americana, a citywide initiative organized by The Clay Studio that unites 25 of Philadelphia’s arts and cultural institutions in a series of exhibitions responding to the Semiquincentennial. The project showcases research-driven work by 45 artists inspired by the history and art of 1776, 1876, and 1976, as well as the present moment. Together, these exhibitions celebrate Philadelphia’s historic role in shaping America’s cultural identity, civic life, and creative spirit, while inviting reflection and dialogue about the nation’s present and future.
The William Way LGBT Community Center received funding from Pennsylvania Creative Industries, powered by the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts.